Music may not have the political prowess to change a bill or pass a law, but it has the subversive force to usurp politics entirely and push progress and change under the noses of the bourgeoisie. . Rock may not meddle in the finer details, but it has the power to influence the polls by guiding the path of young people, and it is a benevolent unifying force that, from its origins in the plantations, has talked about solidarity and a challenge that the government cannot ignore. The brave people who cling to that ideal despite all the threats roaring around them deserve more of a global spotlight.
Few regions in the world have experienced a more tumultuous modern history than Persia. It is a region besieged by war, revolt and regrettable bloodshed. However, from this turbulent environment, an underground movement has formed, which aims to regain control and give voice to the youth in a purely pacifist way which will hopefully help to bring the region out of the world. tormented.
In 1987, at the height of the Iran-Iraq war, ordinary civilians sought some sort of salvation from the horrors of conflict and abusive regimes. On May 17, 1987, the United States’ involvement in the war was amplified when a warship stationed near the Saudi shores was attacked by Iraqi jets. In the foray that followed, not only did American forces become more important in the region, but also the cultural hegemony of the states.
Slowly but surely, out of this marriage of terror and disillusioned violence, something a little more beautiful would blossom and breathe life into a society broken like a flower piercing the rubble. Iranian youth would soon become aware of rock’n’roll music. They identified with the youthful spirit boasted of being denied the right to vote of the world around them and of using art to make a difference. They courageously sought to do the same.
In a place where secular music is prohibited and the punishments are more than severe, this was no ordinary anarchist major for the proverbial man, but rather a cult of youth seeking to bring hope, salvation and change to an entire community. region, armed against a brutalist regime with nothing more than a few random instruments and a love for indie rock.
Since the Iranian revolution in 1979, any artist in the country had to comply with the laws of the Islamic Republic and all performances were pre-approved by the state. Of course, as it always has, this only drove the creative rebels underground. While this may have eased to some extent lately, it remains largely the case. Musicians who perform illegally regularly face two months in prison, and 400 people at a time have been arrested for attending unauthorized underground concerts.
And yet, the insatiable attitude for exultation in music in all its modern forms and the need to try and force change keeps the scene alive. However, it is not all about the future. Iranian culture has been a vibrant influence of literature, music and art at the forefront of society for eons. Young people today have infused this into their production in hopes of keeping the past, before brutalism, alive in their work.
With this, indie rock and the growing hip hop scenes ubiquitous in the underground have become rich with a sense of poetry that recalls the nation’s past as well as the illumination of the future. By combining both Western influences and traditional introspection, they feel that a national identity for modern times in Iran is being espoused and their determination to continue despite threats speaks of a hope to bring out. this ethos of underground and bring it to the fore.
With the pro-democracy movement still a rallying force in the region, these unrecognized underground lawmakers who have escaped too many news reports about the region may well have an impact after all. Unfortunately, that strength is reduced as many big stars are forced to flee, but with the continued underground boom regularly covered in the region’s podcast. Deep House Tehran, it would appear that they create a lasting impact when they leave.
Alas, with the growing influence of technology making it harder to remove and movies like No one knows about Persian cats drawing more attention to the subject, the subversive wave rises out of its underground cage. With this advancement, even the music itself has transformed, becoming less directly derived from the West and incorporating both new and old local ideas, adding an organic element vital to the sustainability of any movement. Threats remain, but the very fact that you can hear and read about it today is a testament to the inviolable spirit of its bold creators.
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