Afarin Rahmanifar http://afarin-rahmanifar.com/ Fri, 04 Jun 2021 18:55:57 +0000 en-US hourly 1 https://wordpress.org/?v=5.7.2 http://afarin-rahmanifar.com/wp-content/uploads/2021/05/afarin-rahmanifar-icon-150x150.png Afarin Rahmanifar http://afarin-rahmanifar.com/ 32 32 Wedding of Christopher Columbus: Lauren Kantzer & Kayvon Padidar http://afarin-rahmanifar.com/wedding-of-christopher-columbus-lauren-kantzer-kayvon-padidar/ http://afarin-rahmanifar.com/wedding-of-christopher-columbus-lauren-kantzer-kayvon-padidar/#respond Fri, 04 Jun 2021 17:31:08 +0000 http://afarin-rahmanifar.com/wedding-of-christopher-columbus-lauren-kantzer-kayvon-padidar/

This story first appeared in the Fall / Winter 2020 issue of Columbus Weddings, which was released in August 2020.

October 19, 2019 | Kayvon and Lauren Padidar didn’t hit it off right away when they met as Ohio State students. However, as they began to date and grow closer over the years, the two slowly realized that they had more than a passing friendship or fling on their hands. “I realized she was ‘the right one’ after we’d been together for a while and had some ups and downs,” Kayvon explains. “I saw how loyal, genuine and supportive she was through it all, and the rest was history!”

Kayvon wanted to think big with a proposal. “She loves mysteries and puzzles and riddles so I thought what could be more appropriate than a scavenger hunt?” He and Lauren’s mom secretly coordinated for months to plan an epic daylong adventure. On July 22, 2018, Kayvon planted a dozen clues across town, which guided Lauren through a day of healing, culminating at Columbus Park of Roses with Kayvon “sweating a storm” with the ring, the couple Harley’s dog and the final clue. Lauren says, “It was magical, truly the most unforgettable day of my life!


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Why “The Empress and Me” is the most controversial book in the art world at the moment http://afarin-rahmanifar.com/why-the-empress-and-me-is-the-most-controversial-book-in-the-art-world-at-the-moment/ http://afarin-rahmanifar.com/why-the-empress-and-me-is-the-most-controversial-book-in-the-art-world-at-the-moment/#respond Fri, 04 Jun 2021 15:19:50 +0000 http://afarin-rahmanifar.com/why-the-empress-and-me-is-the-most-controversial-book-in-the-art-world-at-the-moment/

Empress Farah Pahlavi with Salvador Dali in Paris, 1967

Courtesy of Éditions Assouline.

The legacy of the last Empress of Iran, Farah Pahlavi (née Diba) – wife of the late Shah Mohammed Reza Pahlavi – is undoubtedly her patronage of the Tehran Museum of Contemporary Art (TMoCA). With 1970s Iran filled with oil money, the modern Empress set out on an almost unlimited budget to amass an art collection that represented a fusion of Western and Eastern art.

It is in this context that the 78-year-old former Museum of Modern Art (MoMA) curator Donna Stein writes her highly controversial 2021 memoir, The Empress and I: How an Ancient Empire Collected, Rejected, and Rediscovered Modern Art. Stein’s contested account – which received equal praise and criticism – chronicles his work for Her Imperial Majesty’s Private Secretariat between 1975 and 1977.


Farah Diba Pahlavi by Andy Warhol

Courtesy of Éditions Assouline.

At the end of Stein’s tenure – and to celebrate Empress Pahlavi’s 39th birthday – the TMoCA would open its neo-brutalist doors filled to the brim with a variety of modern art that far eclipsed any other collection outside of Europe and the United States. Despite the advent of the Iranian revolution barely two years later, even Ayatollah Ruhollah Khomeini could not bring himself to dismantle the museum. Originally purchased for less than $ 100 million, TMoCA’s vast collection is currently estimated at over $ 3 billion.

An American in Tehran

“Because I was a foreigner working largely in secrecy, my leadership role in the formation of the National Collection was never fully recognized,” Stein writes in the preface to her book. She maintains that her male Iranian superiors “boldly took credit for my aesthetic choices … so I finally wrote The Empress and I to correct the file. ‘


Empress Pahlavi (left) and Donna Stein discussing a photograph by Hans Bellmer, 1977

Photo by Jila Dejam. Courtesy of Donna Stein.

Having jumped at the chance to work on the TMoCA project in 1975, Stein found herself propelled from the sandy streets of New York to the sunny ones of the Iranian capital. Upon arrival, Stein began working behind the scenes as a researcher and advisor for Karim Pasha Bahadori – the project’s chief of staff and a childhood friend of the Empress.

While her initial responsibility appears to have been to draft the museum’s acquisition policy, Stein claims that she quickly began organizing scouting expeditions, identifying potential purchases, and liaising between artists, gallery owners and his superiors. “I was the quality filter, and I used this filter very heavily,” Stein told the New York Times.


Empress Farah Pahlavi with Andy Warhol at the Waldorf Astoria Hotel in New York, 1977. The artist traveled to Tehran to create his serigraphy portrait series Farah Diba Pahlavi

Courtesy of Archives PL.

Recounting her experience as a single woman in Tehran, Stein recalls how the Empress’ staff referred to her as a “woman who lives alone” – although she knows her name. “This unfortunate phrase was also used to describe women of questionable virtue,” says Stein, “It was inconceivable that a woman would live alone.”

Given his grueling experience at the center of the 20th century’s most ambitious Iranian artistic enterprise, Stein makes no secret of the fact that his book aims to settle old scores. However, the Empress – for whom Stein claims to have been a “confidante” – comes out of memories relatively unscathed.

The intrigue of the palace abounds

Arguably the most fascinating parts of The Empress and I chronicle the intrigue of the palace that has become ubiquitous with every major art acquisition. Believing that she had earned Bahadori’s professional respect, Stein personally remembers pressuring her to acquire the Mark Rothko brand. Yellow center n ° 2 (1954); that of Francis Bacon Reclining man with sculpture (1961); and Roy Lichtenstein Roast the grill (1961).

Much to the chagrin of his former Iranian colleagues, Stein also takes credit for the museum’s historic acquisition of Paul Gauguin’s work. Still Life with Japanese Woodcut (1889) writing: “I was delighted that we got the Gauguin, which I considered one of his greatest still lifes”. Adding that the single canvas, ‘Demonstrated [Gauguin’s] interest in japanese ukiyo-e woodcuts… thus anticipating the intercultural dialogue that has shaped the philosophy of the Tehran Museum of Contemporary Art. ‘


Reclining Man With Sculpture by Francis Bacon, 1961

Courtesy of the Tehran Museum of Contemporary Art

So why is Stein’s name nowhere in the museum documents relating these noble acquisitions? According to her, the answer is simple: misogyny. Stein alleges that as her star continued to rise, Bahadori – the public face of the museum staff whom she had romantically rejected – took credit for her work and forced her to stand back.

After the Empress’s cousin, Kamran Diba, was appointed director of TMoCA, Stein claims his reputation quickly deteriorated, hinting that Diba may be envious of his high reputation with the Empress. Eventually, Stein was ousted due to bribery charges which she said are bogus and were designed to drive her out of Tehran.

Contested claims

Given the immense cultural pride that TMoCA brings to the Iranian people, it is understandable that they seek to protect their heritage from perceived slights. On many occasions, Stein’s general tone is condescending, as she describes the museum audience as “uneducated” and refers to Iran as the “Third World” – both evocative of 19th century orientalist sentiments.

Diba, who lives in exile in France, has expressed his objections to the claims The Empress and me. In an official statement to Artnet news, Diba contradicts Stein’s account by stating that she was mainly involved in “building the collection of photographs” – a collection he does not consider particularly impressive.

Talk with Tatler, the famous photographer Cyrus Mahboubian – who is of Iranian origin and was introduced to the Empress – remarks: “Whether Donna Stein’s role in the construction of the collection was central or only peripheral, let us not forget that the He Iran is a country with thousands of years of civilization and artistic production.

There is also the question of Stein’s characterization of her relationship with the Empress – whom she only met face to face three times during her work in Iran. However, Stein claims the two established a telephone connection between their formal meetings which continues today.

While critics cast doubt on the veracity of such claims, the Empress is recorded with the New York Times last year stating: “Donna Stein was a professional and hardworking person who delivered results. I trusted his opinion. We have a friendly relationship and we communicate by phone, but not too often. ‘

Enduring love for an empress in exile

Ignoring the controversy surrounding Stein’s memoirs and her callous language, what becomes irrefutably clear is that many Iranians have a lasting love for their Empress in exile – and the TMoCA remains a symbol of her love for them.


Still Life with Japanese Woodcut by Paul Gauguin, 1886

Courtesy of the Tehran Museum of Contemporary Art.

Thanks to Empress Farah Pahlavi, great Western artists like Salvador Dali, Andy Warhol and Henry Moore have engaged in a dynamic interaction with their contemporary Iranian counterparts. Contrary to Stein’s one-sided opinion, the Empress facilitated a reciprocal dialogue between East and West that continues – an investment in soft power that even a revolution could not hide.

From her home in Paris, the last Empress of Iran continues to champion the artistic prowess of her homeland and support the Tehran Museum of Contemporary Art through her collaboration with scholarly publishers like Assouline – who produced the glorious tome ( and expensive) Modern Iran: The Empress of Art in 2018.

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BUSINESS LIVE: AstraZeneca takes over financial management of Alexion http://afarin-rahmanifar.com/business-live-astrazeneca-takes-over-financial-management-of-alexion/ http://afarin-rahmanifar.com/business-live-astrazeneca-takes-over-financial-management-of-alexion/#respond Fri, 04 Jun 2021 07:15:09 +0000 http://afarin-rahmanifar.com/business-live-astrazeneca-takes-over-financial-management-of-alexion/

BUSINESS LIVE: AstraZeneca Calls on Alexion’s CFO; Universal Music could go public; Fastest-rate staff recruited last month on record

Pharmaceutical giant AstraZeneca has poached the finance boss of its new Alexion Pharmaceuticals subsidiary, Aradhana Sarin, to replace Marc Dunoyer pending the conclusion of the £ 28 billion deal.

The world’s largest music label, Universal Music Group, is on the verge of closing a deal with billionaire investor William Ackman’s blank check company that would go public worth nearly $ 40 billion, have said two people familiar with the matter.

UK employers hired permanent staff last month at the fastest pace since record-keeping began, a KPMG survey showed, further sign the economy is rebounding quickly from the Covid-19 pandemic.

Drug giant AstraZeneca has poached the finance boss of its new Alexion Pharmaceuticals subsidiary, Aradhana Sarin, to replace Marc Dunoyer

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Food and nutrition literacy level and its correlates among Iranian high school students | BMC Nutrition http://afarin-rahmanifar.com/food-and-nutrition-literacy-level-and-its-correlates-among-iranian-high-school-students-bmc-nutrition/ http://afarin-rahmanifar.com/food-and-nutrition-literacy-level-and-its-correlates-among-iranian-high-school-students-bmc-nutrition/#respond Thu, 03 Jun 2021 23:59:52 +0000 http://afarin-rahmanifar.com/food-and-nutrition-literacy-level-and-its-correlates-among-iranian-high-school-students-bmc-nutrition/

The results of the present study showed that the mean score in none of the FNL domains and dimensions was above the adequate level (≥60), indicating that the FNL status of Iranian youth needs to be improved. Considering that the study participants were high school students who had completed their formal education, their FNL status conveys key messages for the education system and may reflect the weaknesses of current school curricula in improving food literacy and nutritional issues in students.

There were no significant differences between boys ‘and girls’ scores in the overall FNL and its dimensions, except for scores for functional skills and food label reading. The mean functional skills score was slightly higher for girls than for boys; however, after adjusting for other factors in the multivariate analysis, gender was no longer a significant predictor of functional skills. On the other hand, when it came to food label reading skills, gender was a strong predictor even after adjusting for the effect of all other possible predictors in the multivariate analysis. The results showed that the boys had higher scores in reading and interpreting food labels. A review of the available literature indicates that there is no consistent gender difference in the use of food labels or in interpretation skills. Some studies have shown no difference between the sexes [24,25,26], while some indicated that women used or interpreted food labels more frequently than men [27,28,29]. According to the literature, women seem to use food labels more frequently than men [25, 27, 28]; however, there are inconsistencies between studies regarding the interpretation and understanding of food labels. [24,25,26, 29], suggesting that other factors such as age, level of education, nutritional knowledge, etc., may affect gender differences.

Based on bivariate analysis, maternal education level, private school education, and higher SES score were significantly associated with higher food and nutrition knowledge score. Multivariate analysis confirmed these results; because increasing the SSE score was associated with a higher likelihood of a higher knowledge score. Consistent results have been reported in several studies [12, 30,31,32,33]. Aihara et al. indicated that a higher level of education and economic status was associated with adequate nutritional literacy among the Japanese elderly [30]. Although they used the term “nutritional literacy”, their questionnaire only assessed nutritional knowledge. Likewise, other studies have shown a higher level of education [12, 31,32,33] and workstation [12, 31, 32] were positively associated with nutritional knowledge. The need for food and nutritional knowledge as a prerequisite for dietary changes [8], although this is not sufficient, calls for the need to put more emphasis on nutrition education programs targeting groups with low SES.

Academic performance was also associated with a higher knowledge score, but surprisingly with lower functional and interactive scores. This may be due to the fact that the country’s current secondary school curricula and textbooks contain relatively little information on food and nutrition, which mainly focuses on knowledge aspects. [11]. In addition, students who perform better in school due to a heavy schoolwork load may have limited time or interest in developing their food and nutrition skills, i.e. doing the exercises. shopping, preparation and cooking (functional skills) or interacting with others about food and nutrition (skills). This may be particularly relevant for our study participants who were high school students preparing for the college entrance exam. More research is needed to draw a more reliable conclusion in this regard.

The possibility of a higher knowledge score was significantly higher among students who studied natural sciences compared to those whose major was literature and humanities. Food and nutrition related topics are more likely to be covered in natural science lessons than in other subjects. A recent analysis of the content of secondary school textbooks in Iran showed that topics related to food and nutrition were covered more frequently in natural science textbooks than other major subjects. [11] which confirmed the results of the present study.

Subjects’ weight and health status were also examined as possible determinants of FNL and its dimensions. A higher BMI was correlated with a higher functional score on bivariate analysis. However, after controlling for the effect of other possible predictors in multivariate analysis, this association was no longer significant. The relationship between weight status and FNL has been discussed in a number of studies [12, 15, 20, 30, 34, 35]; however, the results have not been consistent. In some studies, people with a higher BMI had a lower FNL level [20, 34], while in others not significant [12, 15, 30] or positive [35] an association between BMI and FNL has been reported. These surveys were conducted among different age and sex groups, which may partly explain this inconsistency in the results. In a study by Kubiet et al. in adolescents [15], multivariate analysis showed no significant association between weight status and FNL, which is consistent with our results. However, the limited number of studies, all with a cross-sectional design, makes it difficult to draw a conclusion.

In the present study, the presence of nutrition-related illnesses in a family member predicted the possibility of improved ability to read food labels in students. Previous reports have also indicated that people with nutrition-related illnesses, such as hypertension, diabetes, cardiovascular disease, etc., pay more attention to food labels. [36]. People with chronic nutrition-related illnesses and their families are more concerned with diet and may want to limit the intake of certain specific food components like calories, sugar, fat, salt, etc. These concerns may explain the higher skills in interpreting food labels in people with chronic nutrition-related illnesses. chronic diseases and their families.

To our knowledge, this is the first study to assess the FNL status of Iranian high school students by a valid multidimensional tool. However, this study had certain limitations which must be taken into account. First, its transversal conception makes it impossible to interpret the management of associations. In addition, the determining factors examined in the present study could not explain well the variation in the score of the competence domain and its dimensions. It appears that more complex factors affect FNL-related skills that were not included in our study. For example, food skills may be affected by socio-cultural norms that were not assessed in this study. Therefore, in order to explore the possible determinants of the FNL competence domain, further research, especially with a qualitative design, could provide more information. Finally, this study conducted among high school students in Tehran; therefore, its results may not be generalized to other age groups or different populations.

In conclusion, the present study showed that Iranian high school students have relatively low knowledge and skills in food and nutrition. Among the possible determinants examined, study major, academic performance, and SES were important predictors of young people’s food and nutrition knowledge; and male gender and having nutrition-related illnesses in family members were determinants of improved ability to read food labels. Further studies are recommended to identify other possible factors related to FNL in young people. The findings again highlight the need to assess current formal education programs with regard to food and nutrition knowledge and skills development as an important life skills skill. In addition, the relatively low level of FNL among high school students underscored the need for future studies focusing on FNL promotion interventions among high school students in Iran.


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One of Iran’s largest warships caught fire and sank in Gulf of Oman http://afarin-rahmanifar.com/one-of-irans-largest-warships-caught-fire-and-sank-in-gulf-of-oman/ http://afarin-rahmanifar.com/one-of-irans-largest-warships-caught-fire-and-sank-in-gulf-of-oman/#respond Thu, 03 Jun 2021 18:24:06 +0000 http://afarin-rahmanifar.com/one-of-irans-largest-warships-caught-fire-and-sank-in-gulf-of-oman/

In keeping with his elevation of military leaders to policy-making roles, President Donald Trump has delegated the power to set US troop levels in Afghanistan to Secretary of Defense James Mattis, although that power would have limits.


But the administration has yet to define a comprehensive strategy for America’s nearly 16-year campaign in the war-torn country.

And, according to the New York Times, Trump’s advisers turned to a controversial set of consultants to help them develop their new Afghan policy.

Steve Bannon, chief Trump strategist, and Jared Kushner, senior adviser and son-in-law to the president, called on Erik Prince, founder of private security firm Blackwater, and Stephen Feinberg, billionaire owner of military contractor DynCorp, to create proposals to use contractors in Afghanistan rather than US troops.

According to the Times, Bannon was able to track down Mattis at the Pentagon on July 8 and summoned Prince and Feinberg to describe their proposal to the Secretary of Defense.

President Donald J. Trump, right, Secretary of Defense Jim Mattis and Marine Corps Gen. Joe Dunford, Chairman of the Joint Chiefs of Staff. DoD photo by Army Sgt. James K. McCann

Mattis, whom The Times said he “listened politely”, ultimately refused to include their ideas in his review of the war in Afghanistan, which he and National Security Advisor Lt. Gen. HR McMaster are expected to present to Trump this month.

Prince’s proposal would have adhered to what he described in an editorial from the Wall Street Journal earlier this year. In that editorial, he declared the war in Afghanistan “a costly disaster” and called for “an American viceroy” in which authority for the war would be consolidated. He also said the effort should take an “East India Company approach” using private military units working with local partners.

The inclusion of Prince and Feinberg in the Afghan administration’s policy proposal process is part of the efforts of Trump’s advisers to bring a wider range of options to the president’s attention. While their proposal seems unlikely to be included in the final plan, their inclusion by Trump aides has alarmed observers – and not just because of Blackwater’s sordid record in Iraq.

Deborah Avant, professor at the Josef Korbel School of International Studies at the University of Denver, highlighted a number of shortcomings in the Prince plan described in The Journal.

One of Iran's largest warships caught fire and sank in Gulf of Oman
A Blackwater Security Company MD-530F helicopter helps secure the site of a car bomb explosion in Baghdad, Iraq. USAF photo by Master Sgt. Michael E. Best

Contractors would still be required to work with the Afghan government, as would US and NATO forces, she writes, who may not be receptive to their increased presence.

Entrepreneurs also do not integrate well with local goals and political forces, which is essential in counterinsurgency operations.

Avant also noted that empowering local partners in environments like Afghanistan has been shown to facilitate the rise of warlords – as typically happened under the East India Company when she worked there. in the nineteenth century.

Privatizing the war effort in Afghanistan would likely reduce some of the costs, however – a point White House aide Sebastian Gorka made when he defended consultations with Prince in an interview with CNN. with Jake Tapper.

“If you look at Erik Prince’s record, it’s not about cheating on the government. It’s pretty much the opposite, ”Gorka said. “It’s about saving American taxpayers’ money. It’s about building local capacity… It’s about cost reduction.

One of Iran's largest warships caught fire and sank in Gulf of Oman
Sébastien Gorka. (Photo by Gage Skidmore)

Despite the fact that Prince and Blackwater secured large and lucrative contracts under former President George W. Bush and former President Barack Obama, Gorka described the consultations with the founder of Blackwater as a break with tired thinking and not informed instilled by Beltway’s insularity.

“We are opening the door here in the White House to outside ideas. Why? ”Gorka said, adding,“ Because the last eight years, in fact the last 16 years, Jake, to be honest, disastrous. The policies that were born in the Ring Road by people who never wore it. uniform, people who were in the White House like Ben Rhodes, Colin Kahl, helped create the firestorm that is the Middle East, that is ISIS today. new ideas, because the past 16 years have failed the American national interest and the American taxpayer. ”

When Tapper defended the qualifications of those advising Obama, Gorka objected, calling Rhodes’ master’s degree in creative writing – “fictional writing,” he said – “catastrophic.”

“I think Gorka spends more time following Twitter and preparing for his media appearances than seriously thinking about critical national security issues,” said Kahl, who has served as deputy to the president and national security adviser to the vice president from October 2014 to January 2017. said Business Insider.

“No US administration has had all the answers in the Middle East,” continued Kahl, who is now a professor in the security studies program at Georgetown University.

One of Iran's largest warships caught fire and sank in Gulf of Oman
Petty Officer 1st Class Carmichael Yepez, a Combat Camera Photojournalist, from Fresno, Calif., Assigned to Joint Combat Camera-Iraq, in Army Combat Uniform, poses with a group of British security contractors at the forward operating base, Marez, in Mosul. (Photo by Petty Officer 1st Class Carmichael Yepez.)

“But the two biggest sources of the ‘firestorm’ Gorka refers to were the invasion of Iraq, which gave birth to the forerunner of ISIS and created a vacuum filled by Iran,” and the Arab Spring of 2011 which shook the state system across the Middle East and sparked a series of bloody proxy wars, ”he added.“ None of these key events were a consequence of the Obama’s policy. ”

Kahl also cited specific achievements of the Obama administration, which included eroding al Qaeda leadership, securing the Iran nuclear deal, and preparing the ground for the destruction of ISIS.

Blaming Obama for the rise of ISIS has become a major Republican talking point since the US withdrawal from Iraq in late 2011.

Trump himself attributed the emergence of the group to Obama and Hillary Clinton, who was Obama’s secretary of state and Trump’s opponent in the presidential election.

The withdrawal date was set by the Bush administration, but conservatives criticized Obama for failing to reach a deal with Baghdad to keep US troops on the ground, which they said could have prevented ISIS. to gain ground with the Sunni minority in Iraq.

One of Iran's largest warships caught fire and sank in Gulf of Oman
President Barack Obama meets with General Stanley McChrystal in May 2009. (Photo by White House photographer Pete Souza)

Defenders have pointed to the United States’ inability to quell the insurgency in the country prior to its withdrawal, as well as the refusal of Iraqi officials to let US troops stay, as evidence that a prolonged deployment was impossible and would have changed little. . (Others attribute the appearance of ISIS to Bush’s dissolution of the Iraqi army.)

Since taking office, Trump appears to have adopted a more aggressive policy in the Middle East, underscored by several military engagements with pro-Syrian government forces there and by his warm adherence to Saudi Arabia to the apparent detriment of the United States. unity between the Gulf countries.

Kahl cited these developments as cause for concern for the future.

“It’s hard to see how Trump’s approach, which combines a shoot-first mentality and an instinct to give regional autocrats a blank check to drag us into their sectarian strife, will make the region safer or more secure. A safer America, ”he told Business Insider. in an email.

“And the fact that Gorka and others in the White House are seriously considering handing the longest American war in Afghanistan to private military contractors who prioritize profit over the national interest is very disturbing.”


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NYCxDESIGN Announces Exceptional Grant Recipients http://afarin-rahmanifar.com/nycxdesign-announces-exceptional-grant-recipients/ http://afarin-rahmanifar.com/nycxdesign-announces-exceptional-grant-recipients/#respond Thu, 03 Jun 2021 15:29:51 +0000 http://afarin-rahmanifar.com/nycxdesign-announces-exceptional-grant-recipients/

NYCxDESIGN is pleased to announce the recipients of its inaugural grant program. As the first initiative as a non-profit organization, the Breakout Grant was designed to financially assist New York-based designers and design firms to implement or build momentum for a product or of a project under development before marketing. The Breakout Grant jury, made up of prominent leaders from the New York design ecosystem, extensively assessed the submissions to recognize viable projects and applicants who have demonstrated a fundamental commitment to innovation, inclusiveness and sustainability. – three essential pillars to design a greater NYC. With these resources and recognition, grant recipients Matt Tyson of Modos Furniture, Danielle Arps of Artisan Alliance and Gisue Hariri and Mojgan Hariri of Hariri & Hariri Architecture DPC will be able to pursue the next steps of their inspiring projects that give more back in more ways than one.

“The vast imagination, range and talent of the New York design community was deeply evident in this program, with impressive submissions spanning all disciplines of design including urban planning, architecture, industrial design, interior and product, and digital and technological design, ”reflects Elissa Black, executive director of NYCxDESIGN. “As an ongoing program of NYCxDESIGN, the Breakout Grant will continue to showcase the innovative capacity of New York City’s design sector every year to envision and create a fairer and more resilient future for all. “

Plastic furniture connector recovered by Modos Furniture | $ 15,000 recipient

Modos Furniture is a Brooklyn-based design studio that focuses on developing products with positive societal and ecological impact. Its impressively simple tool-less furniture system uses connectors and boards to create custom design solutions. Modos Furniture sees endless potential in this high-value, low-cost furniture solution that has a range of applications and potential users, from those with limited resources to those affected by natural disasters, or even micro- companies needing simple and adaptable furniture. . In an effort to make their design concept even more environmentally friendly, the team wants to replace their extruded aluminum connectors with recycled ocean plastic. Funding from the Breakout Grant will allow Modos Furniture to partner with OceanWorks, a supplier of recycled plastics, to source plastic that has been collected and cleaned from the ocean, ready for injection molding. This grant will also allow the team to obtain a design patent that will make it easier to hire additional partners, receive investments and ultimately help the team pursue their vision of improving the business. environment, support for social equity and change in relationships between people. with their furniture. Finally, the funding will support an ongoing partnership with the Brooklyn Navy Yard and the Department of Education to give students exposure to opportunities in the city’s design and manufacturing industries. Since 2017, Modos Furniture invites high school students and public colleges to work with them through paid internships, offering them personal projects focused on the development of critical thinking, problem solving, creativity, computer skills. , prototyping experience and entrepreneurial skills.

Day One Agency, Daneille Arps

craftsman supervised by Danielle Arps | Recipient of $ 5,000

Launched this summer, Artisan Alliance is a new venture from designer and entrepreneur Danielle Arps, which aims to shake up the real estate and design industries. Bringing extensive interior design experience and relationships to the New York real estate market, Arps saw a unique opportunity to offer brokerage, design, project management and furniture under one home to small companies (10,000 to 50,000 RS). In addition to these services, mentoring will be a key area for the business. Artisan Alliance will use the Breakout Grant to establish a mentoring program called Artisan Mentored to provide students with exposure to colors and experience in the design, architecture and real estate industries where lack of diversity remains a critical issue. . The funding would support a part-time consultant to launch and manage the program, working closely with schools and non-profit organizations that have been approved as permanent partners. This unique program will also allow clients to select a student to work directly with the Arps team on their project. Artisan Mentored will provide these students with invaluable professional experience and connections from the start of their studies, opening the door to future opportunities.

    Render of FOLDING DISASTER POD designed by Hariri & Hariri Architecture DPC

FOLDING DISASTER RELIEF CUSHION by Hariri & Hariri Architecture DPC | Recipient of $ 5,000

Convinced that “home is a human right”, architects and sisters Gisue Hariri and Mojgan Hariri of Hariri & Hariri Architecture have developed an innovative alternative emergency shelter designed to save lives. The FOLDING POD can replace the 18th century tents currently used by armies for disaster relief due to devastation from climate change, wars and other conflicts. Modest, modular and prefabricated with recyclable materials, the FOLDING PODGE is inspired by origami and features an articulated frame and lightweight, durable panels. Its flexible design makes it easy to ship, fit on a flatbed truck and assemble, unfolding with the push of a button and a portable solar powered generator. In addition, it can be reconfigured and extended with additional modules in a variety of living combinations. The Hariri & Hariri practice, which focuses on large-scale architecture, has devoted years to the FOLDING Disaster Relief POD. The Breakout Grant will allow the project to move to the next phase of its development and production, ensuring that it can be used for crises around the world such as the pandemic, homelessness and disaster relief.

“New York City’s vibrant design community has proven itself once again,” notes Cindy Allen, editor-in-chief of Interior Design magazine and Breakout Grant juror. The jury considered both challenging and inspiring applications, but in the end, the three selected grant recipients reinforced the belief that through fairness, innovation and collaboration, design can guide the re-emergence of the city … something we all look forward to! “

“NYCxDESIGN plays a vital role in promoting design in New York City,” notes Rachel Loeb, President and CEO of NYCEDC. “Through the diversity of projects and designers, this talented group of grant recipients demonstrates the city’s vast design ecosystem. We’re excited to be a part of the incredible work NYCxDESIGN is doing to support the creative industry while helping educate the public about the impact of “good design” on social, environmental and economic considerations for the city and beyond. ”

In addition to this funding, each of the grant recipients will receive wide recognition through multiple platforms associated with NYCxDESIGN, including an article in the October 2021 edition of NYCxDESIGN: The Magazine, a special episode of The Mic (the podcast by NYCxDESIGN hosted by Debbie Millman) featuring recipients launched Thursday, May 27 and airing Friday, May 28 on DesignTV by SANDOW, as well as a strong social media promotion from NYCxDESIGN.

Through an online gallery on the NYCxDESIGN website and promotion on social media, NYCxDESIGN will also recognize and support the projects and products of the seven finalists: Furniture Collection by Kouros Maghsoudi, Afri-Culture Design-Culture Student Summer Workshop by Jack Travis, RECIPE by Franklin & Emily, Mobile Barriers by Design Advocates, Industrial Manufacturing Research-Creation Project by Naomi Frangos, Clean AIR 1 by Code Lumen and 2100: A Dystopian Utopia by StudioTEKA. Projects range from a unique business model to hire laid-off New York hotel workers and retrain them as furniture makers, to a virtual reality survival game that immerses gamers in a world where future cities are. transformed in response to global warming, carbon neutral, sustainable and postmodern furniture collection inspired by Iranian and Middle Eastern motifs, traditions and culture.


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Huge fire at oil refinery near Iranian capital has extinguished http://afarin-rahmanifar.com/huge-fire-at-oil-refinery-near-iranian-capital-has-extinguished/ http://afarin-rahmanifar.com/huge-fire-at-oil-refinery-near-iranian-capital-has-extinguished/#respond Thu, 03 Jun 2021 13:02:20 +0000 http://afarin-rahmanifar.com/huge-fire-at-oil-refinery-near-iranian-capital-has-extinguished/

A huge fire that broke out at an oil refinery near the Iranian capital and sent a huge plume of black smoke into the sky over Tehran was extinguished after more than 20 hours, a news agency reported .

The semi-official ISNA agency quoted the country’s deputy petroleum minister, Alireza Sadeghabadi, as saying the blaze was first fully contained and then finally extinguished.

“The courageous actions of the firefighters (…) led to the complete extinction of the fire and prevented the flames from spreading to other tanks nearby,” Sadeghabadi said, thanking the firefighters.

The fire broke out on Wednesday evening in the state-owned Tondgooyan Petrochemical Co, south of Tehran.

Oil Ministry’s SHANA news agency said this was due to a leak in two waste tanks at the facility. Authorities initially suggested that the flames affected a liquefied gas pipeline at the refinery.

(Ebrahim Noroozi / AP)

Tehran Fire Department spokesman Jalal Maleki told state television that 10 fire stations, including 60 heavy vehicles and more than 180 firefighters, participated in the firefighting operation.

Tehran’s chief of emergency medical services Payman Saberian said 11 people were injured, including four in hospital, ISNA reported.

Iranian Oil Minister Bijan Zanganeh attended the scene overnight. While seeking to assure the public that the fire would not affect production, the Iranians lined up for fuel Thursday morning, the start of the weekend in the Islamic Republic.

Earlier, SHANA also quoted Shaker Refinery spokesman Khafaei as saying that authorities hoped the blaze would go out on its own after running out of fuel in the coming hours.

Temperatures in Tehran reached nearly 40C (104F) on Wednesday. The hot summer weather in Iran has caused fires in the past.

The blaze came the same day a fire hit Iran’s largest naval warship, which then sank in the Gulf of Oman.


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Best First Female Authors to Read This Summary http://afarin-rahmanifar.com/best-first-female-authors-to-read-this-summary/ http://afarin-rahmanifar.com/best-first-female-authors-to-read-this-summary/#respond Thu, 03 Jun 2021 11:30:47 +0000 http://afarin-rahmanifar.com/best-first-female-authors-to-read-this-summary/

Nothing beats a summer reading. Afternoons lazing on picnic blankets or swings, lounging by the pool or languishing on beach blankets are infinitely more enjoyable when immersed in an entertaining romance. This year, a list of brilliant new books emerges, especially those by newbie female authors who already seem poised to become serious literary stars. We met five of the best new voices to take with you this summer.

Natasha Brown, Blend

This slim novel may be tiny at just over 100 pages, but it has an oversized impact. Exploring nuanced and redefining form on class, work, gender and race, Brown’s debut has already garnered a hype from the industry. In fact, Bernadine Evaristo crowned her “Next Big Thing” – not bad for a beginning writer who has spent the last decade working in finance. “Writing had become my guilty pleasure over the years,” she says. “It wasn’t until I started re-evaluating my life that I realized this was what I wanted to spend more time on and then luckily it all happened organically.”

Courtesy

Assembly skillfully plays with words and structure, and it seems done consciously. “I wanted to approach race and class from a very nuanced linguistic point of view. So rather than really coming from a place of frustration, it was more about how we communicate with each other? And how does that sometimes break down? ” she explains. “Assembly is very concerned with the different stories we tell ourselves: cultural narratives, how we understand what it means to be British, what it means to be successful, how we understand identity and how we have it built. I really wanted to draw attention to the fact that these things aren’t really there. We have assembled them.”

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Louise Nealon, Snowflake

“I love books. Apart from my family and friends, books are the most important relationship of my life, ”says Nealon, whose debut, Snowflake, which was released in May, has already seen the team behind Normal people. Although lightly based on her own experiences growing up on a dairy farm in County Kildare and moving to college in a big city, the story of the main character Debbie is far from a memory. “Yes Snowflake was entirely factual, that would be extremely boring. Of course, I started to write about things I knew, but the story started to grow, and that’s where the magic happens, ”she explains. “I get really excited when I can’t keep up with my characters and I no longer have control of the story.”

louise nealon

Courtesy

Nealon laughs that the world is already clamoring to dub her the new Sally Rooney and Herald Snowflake this year’s Millennium Story. “I didn’t mean to do anything consciously,” she smiles. “In fact, I’m really happy to have come to a place where I have given up on the world of books, and it is able to exist independently without me. The story is no longer mine, it belongs to the reader who opens the cover and brings their own imagination and experiences to the pages.

BUY NOW

Francesca Reece, Voyeur

From Paris to the south of France, with narrative threads winding beautifully through London’s Soho and the warm streets of Athens, Voyeur It sounds like your standard airport romance: Scandals in Sunny Climates. But Francesca Reece’s heartwarming debut is more than the sum of her parts of the wanderlust. In fact, its origins can be found in medieval literature. “It was around 2015 and I was totally obsessed with using doppelgängers in these really old texts,” she says, rolling her eyes self-deprecatingly and calling herself pretentious. “This is really where the main point of the novel comes from. I was fascinated by what would happen if someone came into your life who looked exactly like someone from your past.

francesca reece

Courtesy

Her debut, which tells the story of Leah, a aimless graduate living in Paris, and Michael, an aging literary star whose lives are irrevocably tangled after a chance encounter, deals with notions of memory and perception – how her identity can often be misinterpreted in someone else’s eyes. “For me, I wanted to portray layers of people’s voyeurism,” she explains. “That, and I was determined to write a central character who was intentionally lacking in ambition. We don’t seem to let people hang around anymore. There’s a lot to be said for loitering!

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Abigail Dean, Daughter A

“It’s really easy to think that none of this really happened, because it happened during the lockdown,” Dean says of the fact that his novel, released in January, has become a bestseller. global. The TV rights were recovered by Sony, with the director of Chernobyl already attached. “It’s just surreal.”

abigail dean

Courtesy

Dean wrote Girl A, an intelligent and compulsive story of a woman who escapes from an abusive family home, in moments around her incredibly trying work as a corporate lawyer. A fan of real crime, he was inspired by the stories of families like the Turpins, whose lifelong abuse of their 13 children was revealed in 2018. “I obviously had to do a lot of heavy research to get into the head of somebody. who had experienced that, ”she explains. “I was also amazed that we so rarely see what happens to these children next, after their rescue, after the trial. What are they doing with their lives? How do they get over it? What happens to their dynamic as siblings? I wanted to explore all of this in the novel.

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Melody Razak, Butterfly

So many events described in the assured beginnings of Razak, Butterfly, feel so elaborate, horrible, and painful, that it’s hard to believe they really happened. “This is what struck me when I started hearing stories about the partition of India,” she says. “It made me realize that so few of us know the horrors of those times.”

razak melody

Patricia Niven

An Anglo-Iranian writer, Razak is also a pastry chef, who ran a pastry shop in Brighton for eight years before embarking on a master’s degree in creative writing. She wrote Butterfly, a powerful family story that separates India and Pakistan, during long train journeys through India, a country with which she is “totally in love”. “I mainly focused on women,” she says. “Women were rife at that time and many were lost. We hear these voices so rarely and I wanted to Butterfly to do it, to tell it all from their point of view.

BUY NOW

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Rothko brings celeb power to London gallery launch http://afarin-rahmanifar.com/rothko-brings-celeb-power-to-london-gallery-launch/ http://afarin-rahmanifar.com/rothko-brings-celeb-power-to-london-gallery-launch/#respond Thu, 03 Jun 2021 04:01:26 +0000 http://afarin-rahmanifar.com/rothko-brings-celeb-power-to-london-gallery-launch/

Is there more to say about Mark Rothko? Marc Glimcher seems to think so. The president and CEO of the Pace Gallery, which has represented the Rothko estate since 1978, plans to launch his new London space at 4 Hanover Square on October 8 with an exhibition of works on paper by the premier abstract expressionist artist. order. Up to 25 works, on loan from the Rothko Estate and private collectors, will be on display (most will not be for sale). All of the pieces were made in the late 1960s after the artist was forced to stop large-scale painting due to poor health.

“We wanted to tell Rothko’s story and show the different sides of his practice,” says Glimcher. A new multimedia room by Brooklyn-based Torkwase Dyson will complement Rothko’s works in the new London space, and the move to the 8,600-square-foot street-level Mayfair Gallery is seen as a vote of confidence in the capital, while rival Paris art center gains momentum. “Artists want to continue exhibiting in London and curators and writers want to be there,” adds Glimcher, endorsing the new London Gallery Weekend which takes place across the city (June 4-6). Meanwhile, Pace’s current Burlington Gardens gallery inside the Royal Academy “will move to another use,” he adds.


Susan J Mumford, Managing Director of ArtAML © Chris King

An important date is looming for the UK art trade. Since the start of last year, art companies have had to comply with strict new regulations against money laundering. June 10 is the deadline for companies to fully comply. “This is the deadline for art market participants with UK companies to register with HM Revenue & Customs in order to continue to deal as art market participants,” said Susan J Mumford, Managing Director of compliance firm ArtAML. Participants must comply with the new law, the EU’s Fifth Anti-Money Laundering Directive, where the prices or related transactions are equivalent to € 10,000 or more. Ivan Macquisten, Art Market Analyst on the ArtAML Advisory Board, says: “Some art market players have taken this very seriously and have prepared themselves well; others have taken the ostrich approach. Importantly, artists will not be classified as “art market participants”, and therefore are not bound by the new legislation.


Mickalene Thomas ‘July 1976’ (2021) (detail)

“This is the most ambitious project I’ve never done one with a living artist, ”explains art dealer Dominique Lévy. The co-founder of Lévy Gorvy refers to a series of exhibitions dedicated to the artist Mickalene Thomas, launched this fall in its four spaces. Beyond the pleasure principle launches in New York City on September 9 with Thomas’ latest large-scale “Jet” paintings that draw inspiration from pin-up calendars published in Jet Magazine featuring pioneering African American women. “Mickalene’s work has incredible relevance; she is truly a great American artist. It’s about the beauty, sensuality and strength of black women, but you can’t hide the vulnerability, ”says Lévy. The next chapter of the work opens in London on September 30, while the following exhibition at Lévy Gorvy’s Parisian space (from October 7) includes an experimental video made with Thomas’ partner, curator Racquel Chevremont. . Finally, his “Resist” paintings, which focus on black American civil rights activism, will be unveiled at the Hong Kong Gallery (October 14). This vast unpublished corpus is presented by Lévy Gorvy in partnership with the Galerie Nathalie Obadia in Paris. “We are temporary ambassadors for artists,” says Lévy, explaining the arrangement.


Shadi Ghadirian, from the series ‘Qajar’ (1998)

Parviz Tanavoli ‘Blue Heech’ (2005)

Middle East Financial Mohammed afkhami is putting its vast collection of modern and contemporary works by Iranian artists online in a “virtual museum” that it hopes to launch by the end of the year. The website will include scholarly texts, artist biographies and a special feature allowing viewers to see the interior of Iranian artists’ studios. “I want it to be accessible to everyone in Iran with a smartphone,” he said. Afkhami, born in Switzerland in 1974 to Iranian parents, adds that his collection of 600 people will be staged in specially organized online exhibitions over the next two years. The opening show is a virtual recreation of the traveling exhibition of Iranian artists Rebel, buffoon, mystic, poet: contemporary Persians, including works by 23 artists from his collection, including Shirin Aliabadi, which will be launched at the Asia Society in New York this fall (September 10, 2021 to January 16, 2022). Afkhami has purchased 67 works since the start of Covid-19, including a marble sculpture by Reza Aramesh for $ 112,000 from the Leila Heller Gallery.


Art Basel Hong Kong has offered a ‘HoloPresence’ showroom © Art Basel

The dealers were teleported into Art Basel Hong Kong last month in the form of holograms, sparking new debate over what the post-pandemic art world will look like. The technology is courtesy of ARHT Media, which has set up a “HoloPresence” showroom at the fair, allowing gallery owners from Singapore, Geneva and New York to present their works of art in hologram form to VIP collectors. Dealers have been captured from head to toe in 4K video and rich audio; this information was then compressed, sent over the Internet and displayed in holographic form, explains Larry O’Reilly, CEO of ARHT Media. Jasdeep Sandhu from the Gajah Gallery in Singapore participated in the project. “The whole hologram experience is part of a larger arsenal that galleries and art fairs try in order to reach their collector base,” he says. “It was pretty smooth once you got used to the half-second lag.”


‘The Hekking Mona Lisa’ has a sale estimate of € 200,000 to € 300,000

If you can’t own the “Mona Lisa”, you could bid for a copy of the famous painting by Leonardo da Vinci. Christie’s Paris offers “Mona Lisa Hekking“in an online auction (June 11-18) – a reproduction of the smiling sitter owned by antiquarian Raymond Hekking, who insisted in the 1960s that his portrayal of” La Gioconda “is the real thing rather than the work exhibited at the Persienne. Hekking acquired its replica from an antique dealer near Nice in the early 1950s. The work, handed over by the heirs of Hekking, is attributed to “the Italian school of the early seventeenth century, disciple de Leonardo da Vinci “(estimate 200,000-300,000 €).” The fact that a copy, even of a famous painting, can now be estimated at hundreds of thousands of euros shows how the market for ‘Art now revolves around icons, “says art historian Bendor Grosvenor.” If you can attach a big name, or a big brand, even to a pedestrian copy, you have a valuable work of art. ” In January 2019, another 17th century reproduction was sold at Sotheby’s in New York for r $ 1.7 million.

To pursue @FTLifeArts on Twitter to discover our latest stories first




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New stories from a rising generation of Iranian Americans make their braid debut http://afarin-rahmanifar.com/new-stories-from-a-rising-generation-of-iranian-americans-make-their-braid-debut/ http://afarin-rahmanifar.com/new-stories-from-a-rising-generation-of-iranian-americans-make-their-braid-debut/#respond Thu, 03 Jun 2021 03:39:56 +0000 http://afarin-rahmanifar.com/new-stories-from-a-rising-generation-of-iranian-americans-make-their-braid-debut/

Growing up, Iranian-Americans like Ora Yashar often saw themselves portrayed only as the Exotic Other: in his words, “either terrorists or Princess Jasmine.” But Yashar’s generation was raised in the United States – Iranian heritage living its own American histories. “Now we are bridging the gap between our old world and our new,” notes another millennial Iranian-American, Asal Akhondzadeh.

Yashar and Akhondzadeh are part of a plethora of Persian talent – writers, actors, musicians and, in Ora’s case, producer – of The Braid (formerly Jewish Women’s Theater) ‘s newest living room show, Persian Sunrise, American Sunset. . The autobiographical accounts of these Iranian-Americans will take dramatic life in four live performances on Zoom between June 19 and June 28. For dates, times and tickets visit: http://www.the-braid.org/psas.

The Braid offers a unique cultural experience at the intersection of storytelling and theater, in which true stories from writers of all professional backgrounds are brought to life by skilled actors and presented on stage or digitally.

Nine years ago, it was the first theater company to feature the stories of Iranian Jewish women, in Saffron & Rosewater, including powerful escape stories from the 1979 revolution. The hugely successful show included a performance. in front of more than 800 people at 92nd Street Y in New York City and sparked a desperately needed conversation in American Jewry about how the experiences of their Persian members had too often been overlooked.

Since then, the artistic director of The Braid, Ronda Spinak, began to notice that “in our emerging artist program called NEXT @ The Braid, we were starting to see stories of second generation Iranians, and their identity issues were different from those of the first generation.” Spinak felt that these voices, too, “deserved to be highlighted”. So she contacted Yashar, one of the emerging NEXT artists: “Ora impressed me with his keen sense of editing and adapting stories in the theatrical / narrative style of The Braid.”

Together, they decided to expand the focus on saffron and rose water. The Braid has long since decided to include stories of all genres, but Yashar suggested including non-Jewish voices as well – a bold move given The Braid’s mission to raise the voices of the Jewish community. But for Yashar, who grew up in Los Angeles’ San Fernando Valley and had Iranian friends from all walks of life, it was important that this show reflected that interfaith synergy.

It is a mixture literally embodied in Akhondzadeh, the child of a Muslim father and a Jewish mother. Her story tells how, as a freshman, she celebrates her first Passover Seder away from her family. As the Haggadah is read, she notices the differences in seder rituals between her fellow Askhenzai table and her Persian upbringing. And in her new post-9/11 world, she wonders how much of her old life she should reveal.

In a passage adapted from her memoir, Concealed, acclaimed writer Esther Amini recalls how her father fought to forget the horrors he faced in Iran by religious fanatics. In America, he couldn’t shake off his paranoia and distrust of strangers, but despite everything, his love for his daughter never wavered.

Farnoush Amiri, reporter for NBC News and NPR, tells how, as a teenager, she learned to hide the signs of her “otherness” – straightening her hair, eating American foods. But she can’t hide the lasting memories of the “extreme police” her family was subjected to by federal agents when they first moved to Orange County.

Another young woman remembers the night she and her family went from Iranian to Iranian-American. She recounts the challenges she now faces in her new life as her parents forbid her to join in normal teenage rituals: having a boyfriend, going to Burger King and shaving her legs … all behaviors that call into question its “purity”.

Next, a young gay man shares his struggle to exercise his power of attorney to end the life and suffering of his terminally ill mother, as he tries to forgive her for not loving her unconditionally.
These stories and many more like them will be performed by a cast including Iranian-American actors both veteran and new to The Braid.

As a director Susan morgenstern note: “We have a responsibility to present these stories through authentic voices of the Persian community. I am extremely proud of the concerted efforts we have made to find Persian actors – and these efforts have paid off!”

She is also enthusiastic about pushing the Zoom theater medium, after a year of adapting and innovating: “While there are challenges in mixing music and visual images in Zoom performances, we added more of the two to each successive show. We have two extremely talented singers in this cast, so I’m especially looking forward to bringing in some original and traditional Persian music, as well as some imagery that will highlight the stories. We will “braid” these elements together – stories, songs, images – to create a beautiful, cohesive and moving experience. “

This is one that writers like Esther Amini hope to resonate not only with the Iranian community, but also the world over: “The Braid informs and educates viewers about what it is to come from Persian culture. and at the same time to be raised in United States. It is an honor that my story is included on this show. “

Persian Sunrise, American Sunset will feature stories written by Esther Amini, Asal Akondzadah, Farnoush Amiri, Matthieu Nouriel and Dorit Nowparvar, Haideh Herbert and Elnaz Moghangard. Their stories will be interpreted by Nima Jafari, Niloo Khodadadeh and Ava Lalezarzadeh and will present musical performances by Pontea Banayan.

The production of Persian Sunrise, American Sunset is made possible in part by the generous support of the City of Santa Monica, the Y&S Nazarian Initiative of the Jewish Federation of Greater Los Angeles, and the Robert Sillins Family Foundation.

Persian Sunrise, American Sunset will feature four live performances on Zoom from opening night from June 19-28. For dates, times and tickets visit: http://www.the-braid.org/psas.

The Braid (formerly Jewish Women’s Theater) is the 2020 winner of The Argonaut’s Best of the Westside “Best Live Theater Award” and the Santa Monica Daily Press Award for “Most Loved” in the live theater category. Her performances feature stories, artwork, and other inspiring Jewish programs that highlight Jewish contributions to contemporary life. Now in its 13th season (bat mitzvah), The Braid theater show, comprised of original dramatic performances, each written on a specific theme, showcases the diverse and eclectic community of writers, artists and creators who celebrate life. Jewish, one story at a time. Learn more about The Braid at: www.the-braid.org.


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