Rothko brings celeb power to London gallery launch

Is there more to say about Mark Rothko? Marc Glimcher seems to think so. The president and CEO of the Pace Gallery, which has represented the Rothko estate since 1978, plans to launch his new London space at 4 Hanover Square on October 8 with an exhibition of works on paper by the premier abstract expressionist artist. order. Up to 25 works, on loan from the Rothko Estate and private collectors, will be on display (most will not be for sale). All of the pieces were made in the late 1960s after the artist was forced to stop large-scale painting due to poor health.

“We wanted to tell Rothko’s story and show the different sides of his practice,” says Glimcher. A new multimedia room by Brooklyn-based Torkwase Dyson will complement Rothko’s works in the new London space, and the move to the 8,600-square-foot street-level Mayfair Gallery is seen as a vote of confidence in the capital, while rival Paris art center gains momentum. “Artists want to continue exhibiting in London and curators and writers want to be there,” adds Glimcher, endorsing the new London Gallery Weekend which takes place across the city (June 4-6). Meanwhile, Pace’s current Burlington Gardens gallery inside the Royal Academy “will move to another use,” he adds.

Susan J Mumford, Managing Director of ArtAML © Chris King

An important date is looming for the UK art trade. Since the start of last year, art companies have had to comply with strict new regulations against money laundering. June 10 is the deadline for companies to fully comply. “This is the deadline for art market participants with UK companies to register with HM Revenue & Customs in order to continue to deal as art market participants,” said Susan J Mumford, Managing Director of compliance firm ArtAML. Participants must comply with the new law, the EU’s Fifth Anti-Money Laundering Directive, where the prices or related transactions are equivalent to € 10,000 or more. Ivan Macquisten, Art Market Analyst on the ArtAML Advisory Board, says: “Some art market players have taken this very seriously and have prepared themselves well; others have taken the ostrich approach. Importantly, artists will not be classified as “art market participants”, and therefore are not bound by the new legislation.

Mickalene Thomas ‘July 1976’ (2021) (detail)

“This is the most ambitious project I’ve never done one with a living artist, ”explains art dealer Dominique Lévy. The co-founder of Lévy Gorvy refers to a series of exhibitions dedicated to the artist Mickalene Thomas, launched this fall in its four spaces. Beyond the pleasure principle launches in New York City on September 9 with Thomas’ latest large-scale “Jet” paintings that draw inspiration from pin-up calendars published in Jet Magazine featuring pioneering African American women. “Mickalene’s work has incredible relevance; she is truly a great American artist. It’s about the beauty, sensuality and strength of black women, but you can’t hide the vulnerability, ”says Lévy. The next chapter of the work opens in London on September 30, while the following exhibition at Lévy Gorvy’s Parisian space (from October 7) includes an experimental video made with Thomas’ partner, curator Racquel Chevremont. . Finally, his “Resist” paintings, which focus on black American civil rights activism, will be unveiled at the Hong Kong Gallery (October 14). This vast unpublished corpus is presented by Lévy Gorvy in partnership with the Galerie Nathalie Obadia in Paris. “We are temporary ambassadors for artists,” says Lévy, explaining the arrangement.

Shadi Ghadirian, from the series ‘Qajar’ (1998)

Parviz Tanavoli ‘Blue Heech’ (2005)

Middle East Financial Mohammed afkhami is putting its vast collection of modern and contemporary works by Iranian artists online in a “virtual museum” that it hopes to launch by the end of the year. The website will include scholarly texts, artist biographies and a special feature allowing viewers to see the interior of Iranian artists’ studios. “I want it to be accessible to everyone in Iran with a smartphone,” he said. Afkhami, born in Switzerland in 1974 to Iranian parents, adds that his collection of 600 people will be staged in specially organized online exhibitions over the next two years. The opening show is a virtual recreation of the traveling exhibition of Iranian artists Rebel, buffoon, mystic, poet: contemporary Persians, including works by 23 artists from his collection, including Shirin Aliabadi, which will be launched at the Asia Society in New York this fall (September 10, 2021 to January 16, 2022). Afkhami has purchased 67 works since the start of Covid-19, including a marble sculpture by Reza Aramesh for $ 112,000 from the Leila Heller Gallery.

Art Basel Hong Kong has offered a ‘HoloPresence’ showroom © Art Basel

The dealers were teleported into Art Basel Hong Kong last month in the form of holograms, sparking new debate over what the post-pandemic art world will look like. The technology is courtesy of ARHT Media, which has set up a “HoloPresence” showroom at the fair, allowing gallery owners from Singapore, Geneva and New York to present their works of art in hologram form to VIP collectors. Dealers have been captured from head to toe in 4K video and rich audio; this information was then compressed, sent over the Internet and displayed in holographic form, explains Larry O’Reilly, CEO of ARHT Media. Jasdeep Sandhu from the Gajah Gallery in Singapore participated in the project. “The whole hologram experience is part of a larger arsenal that galleries and art fairs try in order to reach their collector base,” he says. “It was pretty smooth once you got used to the half-second lag.”

‘The Hekking Mona Lisa’ has a sale estimate of € 200,000 to € 300,000

If you can’t own the “Mona Lisa”, you could bid for a copy of the famous painting by Leonardo da Vinci. Christie’s Paris offers “Mona Lisa Hekking“in an online auction (June 11-18) – a reproduction of the smiling sitter owned by antiquarian Raymond Hekking, who insisted in the 1960s that his portrayal of” La Gioconda “is the real thing rather than the work exhibited at the Persienne. Hekking acquired its replica from an antique dealer near Nice in the early 1950s. The work, handed over by the heirs of Hekking, is attributed to “the Italian school of the early seventeenth century, disciple de Leonardo da Vinci “(estimate 200,000-300,000 €).” The fact that a copy, even of a famous painting, can now be estimated at hundreds of thousands of euros shows how the market for ‘Art now revolves around icons, “says art historian Bendor Grosvenor.” If you can attach a big name, or a big brand, even to a pedestrian copy, you have a valuable work of art. ” In January 2019, another 17th century reproduction was sold at Sotheby’s in New York for r $ 1.7 million.

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